Two figures and one embrace. Her face is turned into his shoulder, his hand is at the back of her head, and a ring of warm light sits behind them. There is nothing else in the frame to look at.
Two figures and one embrace. Her face is turned into his shoulder, his hand is at the back of her head, and a ring of warm light sits behind them. There is nothing else in the frame to look at. Painted in cream and bone, with the folds of the robes cracked open and filled in gold, the way kintsugi mends a broken bowl. The gold is the only colour in the picture, and it follows the breaks. The print Choose paper or canvas at checkout. Both cost the same, in all three sizes. Paper. Giclée on heavyweight matte art paper with archival pigment inks. Matte, so there is no glare from a window or a lamp. Ships unframed, rolled in a rigid tube. Canvas. The same giclée printed on cotton canvas, gallery-wrapped over a solid wood stretcher frame. Arrives ready to hang, and the weave suits the brushwork. All three sizes are standard 3:4 proportions, which is what the artwork is painted at, so nothing is cropped and the paper print fits an off-the-shelf frame. Sizes 12" × 16" (30 × 41 cm). A narrow wall, a hallway, or beside a door. 18" × 24" (46 × 61 cm). Above a nightstand or a reading chair. 30" × 40" (76 × 102 cm). The main wall of a bedroom or living room. Keep either finish out of direct, all-day sunlight. Handle the paper print by the edges, as fingerprints show on matte stock and do not wipe off.
keep it out of direct sunlight and away from steam. handle it by the edges, never the face — fingerprints show on matte stock and don't wipe off.