the last supper

The table at golden hour. Olive branches at the edges of the frame, a stone arch open onto Jerusalem, and the light coming in low and warm behind the thirteen of them. Painted in soft, sun-bleached tones, ochre, clay, olive and dusty blue, so it reads as warmth on a wall rather than as a dark religious painting. It sits as naturally over a dining table as it does in an entryway. The print Choose paper or canvas at checkout. Both cost the same, in all three sizes. Each is printed from a 300 DPI master, which is what keeps the faces and the folds of the cloth sharp even at the largest size. Paper. Giclée on heavyweight matte art paper with archival pigment inks. Matte, so there's no glare to fight and you can read it from anywhere in a lit room. Ships unframed, rolled in a rigid tube. Canvas. The same giclée printed on cotton canvas, gallery-wrapped over a solid wood stretcher frame. Arrives ready to hang. All three sizes are standard 4:3 proportions, so the paper print fits an off-the-shelf frame without custom framing. Sizes 16" × 12" (41 × 30 cm). Shelves, a gallery wall, a narrow hallway. 28" × 20" (71 × 51 cm). Above a sideboard or a dining table. 40" × 30" (102 × 76 cm). A statement piece for a large wall. Keep either finish out of direct, all-day sunlight. Handle the paper print by the edges, as fingerprints show on matte stock and don't wipe off.

keep it out of direct sunlight and away from steam. handle it by the edges, never the face — fingerprints show on matte stock and don't wipe off.