the last supper

The table at golden hour. Olive branches at the edges of the frame, a stone arch open onto Jerusalem, and the light coming in low and warm behind the thirteen of them. Painted in soft, sun-bleached tones — ochre, clay, olive, dusty blue — so it reads as warmth on a wall rather than as a dark religious painting. It sits as naturally over a dining table as it does in an entryway. The print Giclée on heavyweight matte art paper with archival pigment inks. Matte, so there's no glare to fight — you can read it from anywhere in a lit room. Printed from a 300 DPI master, which is what keeps the faces and the folds of the cloth sharp even at the largest size. Ships unframed, rolled in a rigid tube. All three sizes are standard 4:3 proportions, so an off-the-shelf frame fits without custom framing. Sizes 16" × 12" — 41 × 30 cm. Shelves, a gallery wall, a narrow hallway. 28" × 20" — 71 × 51 cm. Above a sideboard or a dining table. 40" × 30" — 102 × 76 cm. A statement piece for a large wall. Keep it out of direct, all-day sunlight and handle it by the edges — fingerprints show on matte stock and don't wipe off.

keep it out of direct sunlight and away from steam. handle it by the edges, never the face — fingerprints show on matte stock and don't wipe off.